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Latest

Performance

Ben Whishaw and Lucian Msamati shine in stunning revival of Waiting for Godot – review

By Chris Selman
Performance

The Rocky Horror Show is a riotous night out – review

By Chris Selman
Performance

Why Am I So Single? is a fun new queer musical with great songs – review

By Chris Selman
Performance

The Real Thing is one of the most compelling plays we’ve seen – review

By Chris Selman

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Performance

The Comedy of Errors is one of the most ridiculous plays we’ve ever seen – review

One of Shakespeare’s earlier and less-performed plays has opened at The Globe in London.

By Chris Selman
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Fiddler on the Roof is a thoughtful revival which holds a mirror up to society – review

By Chris Selman
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Pulitzer Prize-winning play The Hot Wing King is a clever queer comedy – review

By Chris Selman
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The Baker’s Wife is a quaint and charming musical – review

By Chris Selman
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Shania Twain brings high-camp country concert to BST Hyde Park – review

By Chris Selman
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Your Lie in April has some good songs but is sadly let down by a clunky script – review

The adaptation of the popular manga story makes its English language debut on London’s West End at the Harold Pinter Theatre.

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Mnemonic is a gripping consideration of memory and humanity – review

By Chris Selman
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Mean Girls musical is just as camp and queer as you’d expect – review

By Chris Selman
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