Photography: Helen Murray A Midsummer Night’s Dream is a camp and quirky revival at Shakespeare’s Globe – review It’s perhaps not as bold or imaginative as some productions we’ve seen, but there’s no need to reinvent the wheel here. Chris Selman • Review
Photography: Mark Senior New play Please Please Me paints an intriguing picture of queer British life in the 1960s – review Please Please Me just slightly misses the mark in terms of telling Brian’s fascinating tale. Chris Selman • Culture
Photography: Matt Crockett Avenue Q returns to the West End and it’s still a great fun night out – review Avenue Q may not be quite as shocking as it was 20 years ago, but it’s still provocative, still delightfully subversive. Chris Selman • Review
Photography: Marc Brenner The Authenticator asks important questions about identity with a surprising amount of humour - review The Authenticator bills itself as “a gripping gothic psychological thriller” and the setting fits the bill. Chris Selman • Theatre
Photography: Sarah Lee Lesley Manville and Aidan Turner star in bold new staging of Les Liaisons Dangereuses - review There’s some wonderful acting to be seen in this powerful exploration of control and manipulation. Chris Selman • Theatre
Photography: Matt Crockett Johannes Radebe and Matt Cardle star in new revival of Kinky Boots at London’s Coliseum - review GAY TIMES gives Kinky Boots - 4/5 Chris Selman • Review
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